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"Nomi, cognomi e infami", quando "ridere di mafia è una ribellione incontrollabile"

names, surnames and infamous. Often to tell stories, especially the ugly ones, it is by names and surnames need to start. Based on these then you also meet the infamous. And Giulio Cavalli, actor, writer and politician (he was elected as an independent regional advisor in the 'Italy of Values) knows better.

The story of Giulio Cavalli is now known to many, and for many becomes a weathervane to wave to show that it is on the side of the just and righteous, a little 'how to share uncritically Roberto Saviano it is forbidden to say " Hey, Roberto, this time you did / said bullshit. " After putting on a stage show quid pro quo, theatrical rituals and feasts on mafia, the actor of Lodi receives serious threats by members of the Stidda Gela, an episode that will be assigned an escort of Police.

But this, Julie does not like to talk, because a theatrical with the stock is difficult to see in a civilized country. He knows, but sometimes it has to talk about it, and it must do so in its opening book names, surnames and infamous , a title that collects the essence of his latest show, whose monologues are collected in 244 pages with a preface Giancarlo Caselli.

The book opens with a chapter on threats received which led him to revolutionize his life and that of his family. The word that strikes straight to the mafia, the infamous names, first names and triggers the attention guappi described by Julius on stage, and triggers someone else. But, as Cavalli, this is a deliberately short chapter, "that" I also have serious doubts as to write this chapter, because I would have required a certain balance - out of reach - not to fall into the myth of the profane, the whining, the trombonist celebratory ".

So Cavalli goes straight to the point and not to leave anything to the reader immediately makes clear the structure of the book: the story of 'conception' of the individual show or monologue from just alternate names, congomi and infamous until the full monologue. Never assume, never boring and straight-talking, in form and vocabulary. So we introduce with the "Scene of Puncia" comes from its quid pro quo, then published in full in Appendix (a treasure to be jealously full of analysis and biting irony that just bothered to 'Punch') to go after the monologue of "Names, surnames and infamous. "

A journey through the stories of the mafia, the mafia resistance and dead, too many slain by the Mafia, with the complicity of the society around too much. "Five hundred € and you are put in place" to describe the barbarity, not only economic racketeering and lace, "The Smile of Bruno Caccia, a little-known story too inflexible a judge killed in a humid late summer evening in the quiet piedmont, where the mafia does not exist but there is. The story that Cavalli wrote in a letter to his son via D'Amelio, Don Peppe Diana killed twice, first by the mob, then from that policy that he wanted to muddy even in death, and finally Pippo Fava, Sicilian journalist many professionals today have rather forgotten. Find space also "A hundred yards from the Duomo ", a masterpiece of theater written by civil Horses with journalist Gianni Barbacetto, where the names, first names and the infamous Lombard were exposed one by one, not even a police operation or cards judges would have done better. As mentioned in the appendix

little more space above the script is full of give-and some of the writings of Julius horses. A book that bears on the shelves a little masterpiece of civilization that is the theater of that 'fool' (note the origin of the joker before you think that the term is derogatory), constrained, at Lodi, to be followed like a shadow by his escort . It is in Lodi, another place where the mafia does not exist. But "the Mafia is a rebellion laugh uncontrollably" and 'Punch' know that.

L.

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